The other landscapes emerge as a working process in which I propose shared encounters, questions, and performative pieces to explore our relationship with the territory, framing it within an artistic investigation. Through the relationships between music, image, and body, I seek to generate new landscapes and discover those that are hidden.
With The Foreign Landscapes, I consider the potential agency of art in ecology, and for this, my research proposes a fissure by introducing imagination into our interaction with nature. Can we imagine alternative ecological approaches? What happens when we mediate our relationship with nature through music, action, or image creation? The Foreign Landscapes aim to unravel these possibilities, fostering a more intertwined, imaginative, and symbiotic connection with the territory. This proposal involves exercises to train new forms of sensitivity, practicing presence in intermediate spaces where our relationship with the landscape is fluid, hierarchies waver, and time expands to make way for listening, observation, and perception, ultimately a space/time dedicated to sound and visual contemplation exploring the interconnection of music with image, image with action, action with gaze, gaze with listening, and dynamic relationships between all these elements.
In this research, I want to delve into a space that moves between seeing-landscape and being-landscape. Between observation and production. Between contemplating and being contemplated. Between being outside and belonging. Between being a frame and being an image.
Until now The other landscapes are: Apoyatura; Vientos; Cuando el río suena, agua lleva
